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They say a person’s room is a reflection of their mind, and this one seems to be a somewhat accurate parallel- utter chaos. And constantly changing. But there is a careful order to the chaos. There is- albeit unconscious- a deliberateness to it, layers on layers to keep strangers at bay.
In the three years of taking up residence in this room I’ve seen it be transformed at least three times, a fluid space, contained and small and yet somehow limitless. There is never any space, there is always just a bit more.
For a room that small in size, it holds a considerable amount of occupants- four, sometimes five, and the energy flows in and out as easily as the air through the open windows, contributing to the chaos. The door shut for privacy, the window open for freedom. The door shut to block out the general cacophony of a large household, the window open to let in the singing of the birds. And the wind’s whistling, like a maiden singing in the meadow, passing between flowers, like a sly fox slipping between leaves.
At least, when I’m there- I don’t know what becomes of this room when I’m gone and the others remain. Ah. The others. This room is privacy and the complete absence of it. Paradox.
Between the beds, in front of the window, is a little gap- a sort of no man’s land, enough space for a little table. But even that table is surprisingly, seemingly, limitless in the spaces and nooks it offers. It is virtually a basket open sideways and on wheels, a foot in height and about as deep, a foot and a quarter in length. This little space holds books and papers and secrets. They’re made of stories and memories protected by some invisible ring that no one dares breach, a fine chain of links ridiculously fragile and yet surprisingly strong, that holds no signs and yet screams “Do Not Enter” all on its own. On top, the very-little-but-big-enough table holds a laptop. For all the chaos, if observed carefully enough, all the things show signs of tender care. The laptop is no exception, kept carefully free of dust, it symbolizes both an open door and a firmly sealed one, and for all that it looks ordinary, it too holds secrets. Stories, it knows a lot of stories, and the hard black refuses to give them up.
Next to the table is a jar of pistachio nuts. It holds no significance, it has too much. It has witnessed too many episodes of frazzled nut-cracking to relieve stress and far too much fun to play with and consume.
There are other details but they are not my stories to tell, not my secrets to divulge. As it is, I’ve said too much.